Analysis of Anselms Ontological Argument Essay Example for Free

Analysis of Anselms Ontological Argument Essay This premise does not state that God’s strengths as this argument is to prove his existence, not whether or not God is all-powerful, all-knowing and all-good. The second premise means this greatest possible being is either an imaginary being that one has thought of or, a being that we not only is not only thought of but also exists. The third premise and its sub premises states because existing in reality is greater than existing in thought, then the God we have thought of exists in reality or there must be a greater, or more perfect, being that does exist and that being is God. This leads to the conclusion, if you accept the premises then you accept the existence of the greatest being possible, God. This concept of God’s existence is also led with the idea that God is a necessary being, a being that is not dependent of something greater in order to exist. If God relied on another being, like how a children rely on parents to conceive them, then this being called God is not God because it would be imperfect. Therefore, there must be another to call God that meets all the requirements for perfection. One of the first popular objections was created by Gaunilo of Marmoutiers. The premise and conclusion to Gaunilo’s argument is identical to Anselm’s argument except with the replacement of the word â€Å"God† with â€Å"the Lost island† and the word â€Å"being† with â€Å"island†. As simple as that, though Gaunilo’s argument is completely absurd, Gaunilo’s reductio ad absurdum also proves to be as deductively valid as Anselm’s argument. However, this â€Å"Lost Island† could in no way exist. The absurdity and validity of â€Å"the lost island† quickly brought up questions as to how Anselm’s Argument cannot be absurd. Anselm’s argument was not proven invalid until Immanuel Kant, a german philosopher during the 18th century, proposed an objection that would be the decisive blow to the Ontological argument (Immanuel Kant. Wiki). Kant’s objection is how existence is not a predicate (Mike, screen 25). A predicate is used to describe something the subject (this being God in Anselm’s Argument) is doing. In Aselm’s Argument, Anselm premise rely on that being conceived and existing in reality is something that describes God. This rationality does not follow because to exist or conceive does not describe the subject, it only tells us whether it exist or not. Much like how fictional characters do not exist, describing cartoon for example would tell us details of what this cartoon looks like, what its habits are and common antics it goes through, but not whether it exists or not. The question of existence must fall in a separate argument that does not define the character. As there are Arguments to prove God, there are debatable arguments to disprove the God. The First version of â€Å"The Argument from Evil† goes as follow: 1. If God were to exist, then that being would be all-powerful, all-knowing, and all-good. 2. If an all-PKG existed, then there would be no evil. . There is evil. [Conclusion] Hence, there is no God (Sober, 109) The first premise is the definition of what God would be if he were to exist. That is a being that has the power to do anything, had knowledge of everything throughout the span of time and is in all ways good. The second premise is created with the first premise in mind. To expand on the second premise i t states, if God were all-powerful he could stop any form of evil from happening, if he is all knowing then he has knowledge of when evil will occur and if he is all-good then God would stop all evil from happening. If god cannot stop all evil from happening then the definition of God must be incorrect. He then must not be powerful enough to stop all evil, and/or he doesn’t know when evil until it has already occurred and/or good is not all good in that God does not wish to stop all evils. The third premise is stating the fact that there is evil in the world. The conclusion derived since that there is evil, then is what may be defined as God must be lacking in one or two of his qualities and therefore God, by definition, does not exist at all. In order for God to be compatible with evil, God must only allow the evils that would, in turn, lead to a greater amount of good and must take the route that leads to the least amount of evil to gain the greatest amount of good. The soul building defense was created in mind that evil and God co-exist in our world. The defense is that without any evil in the world, our souls would not nurture, or, understand the concept of evil. This defense does not hold true because there has been many evils in the world that seem unacceptable, even though it may have been for the purpose of soul building. God, and all-good being, would then only allow the evils that are essential in soul-building. This would only mean that evil that man commits against man. The reason for this is because anything that happens in nature exceeds soul-building essentials. Another defense is God having given us free will, humans ultimately are the causes of this evil. That is true but the common objection to this is that human do more than enough evil to ourselves, it is going too far to have God throw tornados, volcanic eruptions, and hurricanes at us too. At what point do human have such control over nature. The last defense is that God simply works in mysterious ways. Who can explain why natural events take so many lives and injure many others or why some children have to go through great deals of suffering and live through it? It is God’s way and ultimately, no matter how incomprehensible the evil is, it is for the greater good. Certainly the question to God’s existence has been pondered upon by philosophers for over a very long period of time with no progress as whether God exists or not. The ontological argument created by Anselm withstood a great deal of criticism until it was disproved by Kant over 600 years after the fact.

Spending Power of Children Essay -- Marketing

In present day to day life, kids play a vital role in the purchase behaviour of the family. This paper focuses on the effects of retail communication on the purchase decision of children. The various factors which influence child’s behaviour have been studied. The methodology adopted includes thorough observation of a kid from entry to exit in the store followed by a personal interview of the accompanying person. Further, the kid’s interaction with the accompanying person has been studied and his/her evaluation of the request is noted. After analysing the complete behaviour, a framework has been proposed which depicts the complete process and the various factors which influences child’s behaviour in the store. Introduction Nowadays children’s share in the family expenditure occupies a significant place. It is also believed that this share is spent by the elders to buy necessary things for the children but now the scenario is changing. The children have the major say in deciding what things they want and what they don’t. According to one of the researcher, spending power of children or young consumers is expected to be over  £200m in the UK alone (Nicole Weiner, 2004). So now it can be estimated that how much it would have been risen over the last 7 years. Markets are also influenced by this kind of behaviour and mould themselves accordingly. We can see a large variety of child centric things in the markets, which are making huge profits despite being not much of necessity. This study is done to find out the various factors involved that influence a kid’s behaviour at a retail store and the percentage of accompanying persons that yield to the various types of influence attempts made by the kids at the store. Litera... ... ‘crying’, and ‘hitting’ contributes (33.33%), (50%)& (16.67%) respectively. For those who made simple purchasing attempts, ‘simple requesting for the product’ was their first preference with (86.67%) & ‘pointing towards the product’ was the second with 53.33% and the rest like ‘grabbing it from the shelf’ and ‘naming a product’ were at the back with 40%, 33.33% respectively. Accompanying person initiated demands are defined as those in which the accompanying persons willingly offer the product to their child. This includes voluntarily asking about child’s product preference, suggesting a certain product, inviting them for the product selection. In this ‘voluntarily asking about their product preference’, ‘suggesting a certain product’, ‘inviting them for the product selection’ contributes 44.44%, 55.55% and 44.44% respectively towards the AP initiated dema nd.

The Short Second Life of Bree Tanner Chapters 15

â€Å"Come with us. Don't make one rash move or I will take you down.† I felt angry again as he glared at me, and a smal part of me wanted to snarl and show my teeth, but I had a feeling he was looking for just that kind of excuse. Jasper paused as if he'd just thought of something. â€Å"Close your eyes,† he commanded. I hesitated. Had he decided to kil me after al ? â€Å"Do it!† I gritted my teeth and shut my eyes. I felt twice as helpless as I had before. â€Å"Fol ow the sound of my voice and don't open your eyes. You look, you lose, got it?† I nodded, wondering what he didn't want me to see. I felt some relief that he was bothering to protect a secret. There was no reason to do so if he was just going to kil me. â€Å"This way.† I walked slowly after him, careful to give him no excuses. He was considerate in the way he led, not walking me into any trees, at least. I could hear the way the sound changed when we were in the open; the feel of the wind was different, too, and the smel of my coven burning was stronger. I could feel the warmth of the sun on my face, and the insides of my eyelids were brighter as I sparkled. He led me closer and closer to the muffled crackle of the flames, so close that I could feel the smoke brush my skin. I knew he could have kil ed me at any time, but the nearness of the fire stil made me nervous. â€Å"Sit here. Eyes closed.† The ground was warm from the sun and the fire. I kept very stil and tried to concentrate on looking harmless, but I could feel his glare on me, and it made me agitated. Though I was not mad at these vampires, who I truly believed had only been defending themselves, I felt the oddest stirrings of fury. It was almost outside myself, as if it were some leftover echo from the battle that had just taken place. The anger didn't make me stupid, though, because I was too sad – miserable to my core. Diego was aways in my mind, and I couldn't help thinking about how he must have died. I was sure there was no way he would have voluntarily told Riley our secrets – secrets that had given me a reason to trust Riley just enough until it was too late. In my head, I saw Riley's face again – that cold, smooth expression that had formed as he'd threatened to punish any of us who wouldn't behave. I heard again his macabre and oddly detailed description – when I take you to her and hold you as she tears off your legs and then slowly, slowly burns off your fingers, ears, lips, tongue, and every other superfluous appendage one by one. I realized now that I'd been hearing the description of Diego's death. That night, I'd been sure that something had changed in Riley. Kil ing Diego was what had changed Riley, had hardened him. I believed only one thing that Riley had ever told me: he had valued Diego more than any of the rest of us. Had even been fond of him. And yet he'd watched our creator hurt him. No doubt he'd helped her. Kil ed Diego with her. I wondered how much pain it would have taken to make me betray Diego. I imagined it would have taken quite a lot. And I was sure it had taken at least that much to make Diego betray me. I felt sick. I wanted the image of Diego screaming in agony out of my head, but it wouldn't leave. And then there was screaming there in the field. My eyelids fluttered, but Jasper snarled furiously and I clenched them together at once. I'd seen nothing but heavy lavender smoke. I heard shouting and a strange, savage howling. It was loud, and there was a lot of it. I couldn't imagine how a face would have to contort to create such a noise, and the not knowing made the sound more frightening. These yel ow-eyed vampires were so different from the rest of us. Or different from me, I guess, since I was the only one left. Riley and our creator were long gone by now. I heard names cal ed, Jacob, Leah, Sam. There were lots of distinct voices, though the howls continued. Of course Riley had lied to us about the number of vampires here, too. The sound of the howling tapered off until it was just one voice, one agonized, inhuman yowling that made me grit my teeth. I could see Diego's face so clearly in my mind, and the sound was like him screaming. I heard Carlisle talking over the other voices and the howling. He was begging to look at something. â€Å"Please let me take a look. Please let me help.† I didn't hear anyone arguing with him, but for some reason his tone made it sound like he was losing the dispute. And then the yowling reached a strident new pitch, and suddenly Carlisle was saying â€Å"thank you† in a fervent voice, and under the yowl there was the sound of a lot of movement by a lot of bodies. Many heavy footsteps coming closer. I listened harder and heard something unexpected and impossible. Along with some heavy breathing – and I've never heard anyone in my coven breathe like that – there were dozens of deep thumping noises. Almost like†¦ heartbeats. But definitely not human hearts. I knew that particular sound wel . I sniffed hard, but the wind was blowing from the other direction, and I could only smel the smoke. Without a warning sound, something touched me, clapped down firmly on either side of my head. My eyes started open in panic as I lurched up, straining to jerk free of this hold, and instantly met Jasper's warning gaze about two inches from my face. â€Å"Stop it,† he snapped, yanking me back down on my butt. I could only just hear him, and I realized that his hands were sealed tight against my head, covering my ears entirely. â€Å"Close your eyes,† he instructed again, probably at a normal volume, but it was hushed for me. I struggled to calm myself and shut my eyes again. There were things they didn't want me to hear, either. I could live with that – if it meant I could live. For a second I saw Fred's face behind my eyelids. He had said he would wait for one day. I wondered if he would keep his word. I wished I could tel him the truth about the yel ow-eyes, and how much more there seemed to be that we didn't know. This whole world that we real y knew nothing about. It would be interesting to explore that world. Particularly with someone who could make me invisible and safe. But Diego was gone. He wouldn't be coming to find Fred with me. That made imagining the future faintly repugnant. I could stil hear some of what was going on, but just the howling and a few voices. Whatever those weird thumping sounds had been, they were too muted now for me to examine them. I did make out the words when, a few minutes later, Carlisle said, â€Å"You have to†¦Ã¢â‚¬  – his voice was too low for a second, and then – â€Å"†¦ from here now. If we could help we would, but we cannot leave.† There was a growl, but it was oddly unmenacing. The yowling became a low whine that disappeared slowly, as if it was moving away from me. It was quiet for a few minutes. I heard some low voices, Carlisle and Esme among them, but also some I didn't know. I wished I could smel something – the blindness combined with the muted sound left me straining for some source of sensory information. But al I could smel was the horribly sweet smoke. There was one voice, higher and clearer than the others, that I could hear most easily. â€Å"Another five minutes,† I heard whoever it was say. I was sure it was a girl who was speaking. â€Å"And Bel a wil open her eyes in thirty-seven seconds. I wouldn't doubt that she can hear us now.† I tried to make sense of this. Was someone else being forced to keep her eyes shut, like me? Or did she think my name was Bel a? I hadn't told anyone my name. I struggled again to smel something. More mumbling. I thought that one voice sounded off – I couldn't hear any ring to it at al . But I couldn't be sure with Jasper's hands so securely over my ears. â€Å"Three minutes,† the high, clear voice said. Jasper's hands left my head. â€Å"You'd better open your eyes now,† he told me from a few steps away. The way he said this frightened me. I looked around myself quickly, searching for the danger hinted at in his tone. One whole field of my vision was obscured by the dark smoke. Close by, Jasper was frowning. His teeth were gritted together and he was looking at me with an expression that was almost†¦ frightened. Not like he was scared of me, but like he was scared because of me. I remembered what he'd said before, about my putting them in danger with something cal ed a Volturi. I wondered what a Volturi was. I couldn't imagine what this scarred-up, dangerous vampire would be afraid of. Behind Jasper, four vampires were spaced out in a loose line with their backs to me. One was Esme. With her were a tal blonde woman, a tiny black-haired girl, and a dark-haired male vampire so big that he was scary just to look at – the one I'd seen kil Kevin. For an instant I imagined that vampire getting a hold on Raoul. It was a strangely pleasant picture. There were three more vampires behind the big one. I couldn't see exactly what they were doing with him in the way. Carlisle was kneeling on the gr ound, and next to him was a male vampire with dark red hair. Lying flat on the ground was another figure, but I couldn't see much of that one, only jeans and smal brown boots. It was either a female or a young male. I wondered if they were putting the vampire back together. So eight yel ow-eyes total, plus al that howling before, whatever strange kind of vampire that had been; there had been at least eight more voices involved. Sixteen, maybe more. More than twice as many as Riley had told us to expect. I found myself fiercely hoping that those black-cloaked vampires would catch up to Riley, and that they would make him suffer. The vampire on the ground started to get slowly to her feet – moving awkwardly, almost like she was some clumsy human. The breeze shifted, blowing the smoke across me and Jasper. For a moment, everything was invisible except for him. Though I was not as blind as before, I suddenly felt much more anxious, for some reason. It was like I could feel the anxiety bleeding out of the vampire next to me. The light wind gusted back in the next second, and I could see and smel everything. Jasper hissed at me furiously and shoved me out of my crouch and back onto the ground. It was her – the human I'd been hunting just a few minutes ago. The scent my whole body had been focused toward. The sweet, wet scent of the most delicious blood I'd ever tracked. My mouth and throat felt like they were on fire. I tried wildly to hold on to my reason – to focus on the fact that Jasper was just waiting for me to jump up again so that he could kil me – but only part of me could do it. I felt like I was about to pul into two halves trying to keep myself here. The human named Bel a stared at me with stunned brown eyes. Looking at her made it worse. I could see the blood flushing through her thin skin. I tried to look anywhere else, but my eyes kept circling back to her. The redhead spoke to her in a low voice. â€Å"She surrendered. That's one I've never seen before. Only Carlisle would think of offering. Jasper doesn't approve.† Carlisle must have explained to that one when my ears were covered. The vampire had both his arms around the human girl, and she had both hands pressed to his chest. Her throat was just inches from his mouth, but she didn't look frightened of him at al . And he didn't look like he was hunting. I had tried to wrap my head around the idea of a coven with a pet human, but this was not close to what I had imagined. If she'd been a vampire, I would have guessed that they were together. â€Å"Is Jasper al right?† the human whispered. â€Å"He's fine. The venom stings,† the vampire said. â€Å"He was bitten?† she asked, sounding shocked by the idea. Who was this girl? Why did the vampires al ow her to be with them? Why hadn't they kil ed her yet? Why did she seem so comfortable with them, like they didn't scare her? She seemed like she was a part of this world, and yet she didn't understand its realities. Of course Jasper was bitten. He'd just fought – and destroyed – my entire coven. Did this girl even know what we were? Ugh, the burn in my throat was impossible! I tried not to think about washing it away with her blood, but the wind was blowing her smel right in my face! It was too late to keep my head – I had scented the prey I was hunting, and nothing could change that now. â€Å"He was trying to be everywhere at once,† the redhead told the human. â€Å"Trying to make sure Alice had nothing to do, actual y.† He shook his head as he looked at the tiny blackhaired girl. â€Å"Alice doesn't need anyone's help.† The vampire named Alice shot a glare at Jasper. â€Å"Overprotective fool,† she said in her clear soprano voice. Jasper met her stare with a half smile, seeming to forget for a second that I existed. I could barely fight the instinct that wanted me to make use of his lapse and spring at the human girl. It would take less than an instant and then her warm blood – blood I could hear pumping through her heart – would quench the burn. She was so close – The vampire with the dark red hair met my eyes with a fierce warning glare, and I knew I would die if I tried for the girl, but the agony in my throat made me feel like I would die if I didn't. It hurt so much that I screamed out loud in frustration. Jasper snarled at me, and I tried to keep myself from moving, but it felt like the scent of her blood was a giant hand yanking me off the ground. I had never tried to stop myself from feeding once I had committed to a hunt. I dug my hands into the ground looking for something to hold on to but finding nothing. Jasper leaned into a crouch, and even knowing I was two seconds from death, I couldn't focus my thirsty thoughts. And then Carlisle was right there, his hand on Jasper's arm. He looked at me with kind, calm eyes. â€Å"Have you changed your mind, young one?† he asked me. â€Å"We don't want to destroy you, but we wil if you can't control yourself.† â€Å"How can you stand it?† I asked him, almost begging. Wasn't he burning, too? â€Å"I want her.† I stared at her, desperately wishing the distance between us was gone. My fingers raked uselessly through the rocky dirt. â€Å"You must stand it,† Carlisle said solemnly. â€Å"You must exercise control. It is possible, and it is the only thing that wil save you now.† If being able to tolerate the human the way these strange vampires did was my only hope for survival, then I was already doomed. I couldn't stand the fire. And I was of two minds about survival anyway. I didn't want to die, I didn't want pain, but what was the point? Everyone else was dead. Diego had been dead for days. His name was right on my lips. I almost whispered it aloud. Instead, I gripped my skul with both hands and tried to think about something that wouldn't hurt. Not the girl, and not Diego. It didn't work very wel . â€Å"Shouldn't we move away from her?† the human whispered roughly, breaking my concentration. My eyes snapped back to her. Her skin was so thin and soft. I could see the pulse in her neck. â€Å"We have to stay here,† said the vampire she was clinging to. â€Å"They are coming to the north end of the clearing now.† They? I glanced to the north, but there was nothing but smoke. Did he mean Riley and my creator? I felt a new thril of panic, fol owed by a little spasm of hope. There was no way she and Riley could stand against these vampires who had kil ed so many of us, was there? Even if the howly ones were gone, Jasper alone looked capable of dealing with the two of them. Or did he mean this mysterious Volturi? The wind teased the girl's scent across my face again, and my thoughts scattered. I glared at her thirstily. The girl met my stare, but her expression was so different from what it should have been. Though I could feel that my lips were curled back from my teeth, though I trembled with the effort to stop myself from springing at her, she did not look afraid of me. Instead she seemed fascinated. It almost looked like she wanted to speak to me – like she had a question she wanted me to answer. Then Carlisle and Jasper began to back away from the fire – and me – closing ranks with the others and the human. They al were staring past me into the smoke, so whatever they were afraid of was closer to me than it was to them. I huddled tighter to the smoke in spite of the nearby flames. Should I make a run for it? Were they distracted enough that I could escape? Where would I go? To Fred? Off on my own? To find Riley and make him pay for what he'd done to Diego? As I hesitated, mesmerized by that last idea, the moment passed. I heard movement to the north and knew I was sandwiched between the yel ow-eyes and whatever was coming. â€Å"Hmm,† a dead voice said from behind the smoke. In that one syl able I knew exactly who it was, and if I hadn't been frozen solid with mindless terror I would have bolted. It was the dark-cloaks. What did this mean? Would a new battle begin now? I knew that the dark-cloaked vampires had wanted my creator to succeed in destroying these yel ow-eyes. My creator had clearly failed. Did that mean they would kil her? Or would they kil Carlisle and Esme and the rest here instead? If it had been my choice, I knew who I would want destroyed, and it wasn't my captors. The dark-cloaks ghosted through the vapor to face the yel ow-eyes. None of them looked in my direction. I held absolutely stil . There were only four of them, like last time. But it didn't make a difference that there were seven of the yel ow-eyes. I could tel that they were as wary of these dark-cloaks as Riley and my creator had been. There was something more to them than I could see, but I could definitely feel it. These were the punishers, and they didn't lose. â€Å"Welcome, Jane,† said the yel ow-eyed one who held the human. They knew each other. But the redhead's voice was not friendly – nor was it weak and eager to please like Riley's had been, or furiously terrified like my creator's. His voice was simply cold and polite and unsurprised. Were the dark-cloaks this Volturi, then? The smal vampire who led the dark-cloaks – Jane, apparently – slowly scanned across the seven yel ow-eyes and the human, and then final y turned her head toward me. I glimpsed her face for the first time. She was younger than me, but much older, too, I guessed. Her eyes were the velvet color of dark red roses. Knowing it was too late to escape notice, I put my head down, covering it with my hands. Maybe if it were clear that I didn't want to fight, Jane would treat me as Carlisle had. I didn't feel much hope of that, though. â€Å"I don't understand.† Jane's dead voice betrayed a hint of annoyance.

Culture and Identity in “a Rose for Emily” Essay - 747 Words

Critic James H. Picker once wrote, â€Å"To classify, to regard fiction as an object can be taken apart and then put back together, is only one way to approach and participate in the work of literature; but it is not the only way. Once students grasp this truth, literature becomes dynamic, alive and ‘available†. In the short story, â€Å"A Rose for Emily†, writer William Faulkner uses plot, character and setting to demonstrate Emily’s refusal to transition into the â€Å"New South†. â€Å"A Rose for Emily†, takes place in southern United States and starts off when she dies in the early 20th century and goes back to her life in the late 19th century leading the reader to her demise. Emily Grierson comes from a traditional southern aristocratic family. Her†¦show more content†¦Though in modern times, people are legally obligated to pay taxes, Emily keeps her aristocratic values and believes she is above the law. According to her father, â€Å"None of the young men were quite good enough for Miss Emily†. Her father drove away all of Emily’s suitors throughout his life. After her father’s death, Emily meets Homer Barron, a day laborer from the north, after and with hopes of potentially marrying him. The townspeople viewed Emily’s courtship with Homer as part of her downfall into insanity calling her, â€Å"Poor Emily†, viewing Homer as beneath her. Faulkner writing, Of course a Grierson would not think seriously of a Northerner, a day laborer. Emily’s father would have also disapproved of Homer because he was a workingman and a Northerner and did not come from wealth. Homer was in town to pave the sidewalks and did not think seriously of his courtship with Emily. Homer, â€Å"†¦himself had remarked - he liked men, and it was known that he drank with the younger men in the Elks Club – that he was not a marrying man’ Once it becomes apparent that Homer is not the marrying type and that he represents everything that she is against, Emily murders him with rat poison. It is revealed that Emily kept Homer’s corpse in her bed throughout the rest of her life, when he is found in the bed by the townspeople after she dies. Homer represented the more modern and industrialized South to come and Emily murdering himShow MoreRelatedThe Crisis Of Identity By William Faulkner1575 Words   |  7 PagesThe Crisis of Identity Arguably one of the greatest writers of the twentieth century, William Faulkner was plagued with a crisis of identity from a young age. 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Both of these novels share the misery of the culture, but there is some distinction between the two. â€Å"A Rose for Emily†Read MoreSocial Aspects Of Miss Emily901 Words   |  4 Pagesâ€Å"A Rose for Emily† by William Faulkner examines the social aspects of Miss Emily’s life. Miss Emily is an antisocial older woman who separates herself from the rest of society. There are different reasons that may have cause her to become the person she is, such as her father’s death, society, and culture change. Miss Emily’s dad passes away in the beginning of the story. It is obvious that she still looks up and admires her dad. â€Å"On a tarnished gilt easel before the fireplace stood a crayon portraitRead MoreAn Inexplicable Nature of the American Identity Essay1242 Words   |  5 Pagesto realize that their world never really managed to leave behind the faults of the â€Å"Old.† Societal tension rose as different poets and authors struggled to pin down the direction of American culture and its ideals. When no solid idea was able to capture American culture adequately, the concept of an ever-evolving American identity was adopted. It became apparent that the American identity could not concisely be defined because its description transformed into something greater than itself. DespiteRead MoreA Rose for Emily Psychoanalysis2422 Words   |  10 Pagesanalysis. The interpretation of these elements, the making of meaning out of them, then depends on the context or method of interpretation we apply to them. Thus we can easily see why a signifying elementlike the figure of the father in Faulkners A Rose for Emily-has so many different meanings. Do we interpret him historically as a metaphor of Southern manhood? Psychologically as the cause of Emilys neurosis? In a feminist context as a symbol of the patriarchal repression of freedom and desire? Do anyRead MoreEmily Dickinson: Creating an Identity for Women Essay1704 Words   |  7 PagesEmily Dickinson can be described as a hermit, living within the walls of her family home for great lengths of time (Young 76). Though this may have been seen as insanity, it has also been described as â€Å"an uncompromising commitment to artistic expression† and â€Å"as an attempt to undermine the restrictive masculine culture of her time† (Gale 49). This along with her failure to conform to poetic styles of her time, demonstrate Dickinson’s â€Å"desire to defy social and gender conventions of her day† (GaleRead MoreFeminist Medi The Second Woman s Perseverance Essay1203 Words   |  5 Pagesnot fitting precisely into the gender roles that media and thereby society have projected as the all-powerful norm. â€Å"Fourth Wave Feminism† in media is how people are taking back the narrative in an attempt to gain complete equality for all gender identities in every aspect of life, it is a movement against gender normative stereotypes and oppression in mainstream media, not a call to gynecocracy but simply one to a movement for fair and equal treatment for people regardless and inexorably tied to equal